翻訳と辞書
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・ Portrait of a Young Girl
・ Portrait of a Young Girl (Christus)
・ Portrait of a Young Man
・ Portrait of a Young Man (Botticelli, London)
・ Portrait of a Young Man (Botticelli, Pitti Palace)
・ Portrait of a Young Man (Botticelli, Washington)
・ Portrait of a Young Man (Iravani)
・ Portrait of a Young Man (Lotto, Uffizi)
・ Portrait of a Young Man (Masaccio)
・ Portrait of a Young Man (Raphael)
・ Portrait of a Young Man Drowning
・ Portrait of a Young Man with a Book
・ Portrait of a Young Man with a Golden Chain
・ Portrait of a Young Man with a Lamp
・ Portrait of a Young Woman
Portrait of a Young Woman (Botticelli, Frankfurt)
・ Portrait of a Young Woman (La Muta)
・ Portrait of a Young Woman (Rubens)
・ Portrait of a Young Woman (van der Weyden)
・ Portrait of a Young Woman (Vermeer)
・ Portrait of a Zombie
・ Portrait of Abraham de Potter
・ Portrait of Adele Bloch-Bauer I
・ Portrait of Adele Bloch-Bauer II
・ Portrait of Adèle Besson
・ Portrait of Agnolo Doni
・ Portrait of Alfonso I d'Este
・ Portrait of Alison
・ Portrait of Alison (TV series)
・ Portrait of Alof de Wignacourt and his Page


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Portrait of a Young Woman (Botticelli, Frankfurt) : ウィキペディア英語版
Portrait of a Young Woman (Botticelli, Frankfurt)

''Portrait of a Young Woman'' is a painting which is commonly believed to be by the Italian Renaissance painter Sandro Botticelli, executed between 1480 and 1485. Others attribute authorship to Jacopo del Sellaio. The woman is shown in profile but with her bust turned in three-quarter view to reveal a cameo medallion she is wearing round her neck. The medallion is a copy in reverse of "Nero's Seal", a famous antique carnelian representing Apollo and Marsyas, which belonged to Lorenzo de' Medici.〔Malaguzzi, p. 73〕〔Brown, p. 182〕〔Gibson, (This write life )〕
It is housed in the Städel of Frankfurt, Germany. Other similar Botticelli paintings are to be found in the National Gallery, London, the Gemäldegalerie, Berlin, and in the Marubeni Collection, Tokyo.〔Brown, p. 184〕
David Alan Brown of the National Gallery of Art in Washington describes the painting as of an ideally beautiful young woman mythologised as a nymph or goddess, a view reflected in the title given it by the Städel. It belongs to a group of such paintings by Botticelli or his workshop.〔Brown, p. 182-4〕
The art historian Aby Warburg first suggested the painting was an idealised portrait of Simonetta Vespucci.
== Gallery ==

:File:Andrea Verrocchio - Head of a Woman, British Museum.jpg|Andrea del Verrocchio - ''Head of a Woman, (verso & recto), c. 1475, charcoal (some oiled?), heightened with lead white, pen and brown ink (r.), charcoal (v.), 324 x 273 mm., British Museum''. Verrocchio is credited with inventing this type of ideal beauty.〔Brown, p. 182〕〔Wivel, (Traces of Soul, Mind, and Body )〕


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